Political Christmas Scenes at US Places of Worship Offer Commentary on ICE
Throughout the United States, Christmas exhibits have appeared that critique hardline government immigration policies. These scenes reimagine the traditional nativity story, depicting the infant Christ and his family, Joseph and Mary, as figures affected by the tactics of immigration authorities.
A Stark Retelling in Evanston
One striking installation at a congregation in Evanston, Illinois features baby Jesus placed within a crib amidst snow. However, the figure is covered by the type of thin, foil blankets frequently given to those in custody and has its hands bound with zip-ties.
Nearby, the statue of the Virgin Mary is positioned outside the church, wearing a gas mask. Such gear has been used by protesters attempting to guard against chemical agents. She is flanked by representations of Roman soldiers, however in this scene they are dressed in body armor labeled with the letters “ICE.”
‘The Holy Family is in Hiding’
At another Windy City place of worship, the customary models of Jesus, Mary, and Joseph are nowhere to be seen from the traditional display featuring animals and wise men. In their place, a placard carries a simple statement: “Because of ICE activity in our neighborhood the holy family is in hiding.”
“The holiday season is a time where we have public art in front of the church and we get an opportunity to make a statement,” remarked a senior minister behind one of the installations.
Statements Spread Nationwide
These artistic statements reflect the prominent role taken by faith leaders in ongoing protests against federal policies. Similar socially conscious exhibits have been erected in other states.
In one New England state, a parish removed the small statue of Christ from its nativity scene. In its spot was a hand-painted sign that stated: “Immigration authorities were here.” Church officials are said to have stood defiant in the face of complaints from various religious and government leadership.
Linking Biblical Narrative and Contemporary Issue
For those behind these displays, framing the age-old tale of the nativity within a contemporary sociopolitical context helps bring attention to current government priorities. They argue that the holy family’s status as displaced persons parallels the real anxieties and realities of numerous households today, encompassing family separation and the removal of breadwinning family members.
It is not the initial instance churches have used Christmas displays for political protest. In previous years, installations have highlighted issues ranging from conflict to the climate crisis.
Facing Pushback and Weathering Storms
The messages are not always widely accepted. A church minister participating commented that some critics either misinterpret the intent or “consider it really difficult to their sense of right and wrong and are lashing out at the art rather than considering what the actual message is.”
In a literal sense, the elements have also impacted one display. At another location, the figure of Joseph was knocked over in a storm and was unable to be repaired. A substitute notice now marks the spot, stating: “Joseph was lost. We keep this place to honor and remember all the those affected of enforcement actions.”
